Showing 380 results

Evaluation of ODA to the LAND sector

To provide for the transfer of communal land to communities; to provide for conversion into ownership of land rights in communal land to communities that own or occupy such land; to provide for the transfer of ownership to communities and community members of land acquired by the State to enable access to land on an equitable basis; to provide for the right to use by community members of land owned by the State; to provide for registration of communal land; to provide for conditions of registration of communal land; to provide for general plans for communal land; to provide for the award of comparable redress; to provide for land rights enquiries; to provide for acquisition of more land for use as communal land; to provide for the choice on the administration of communal land; to provide for the establishment of households forums by communities; to provide for community rules; to provide for the establishment of communal land boards; to provide for dispute resolution mechanisms; to provide for the provision of municipal services on communal land, to amend and repeal certain laws; and to provide for matters incidental thereto.

The report is the product of two reports already presented to the Minister in 2005 and 2006, as well as investigations done since those reports. It also incorporates the Panel’s response to the public and media comments on the interim report. It further incorporates elucidation of some aspects in response to the observations and directive of Cabinet following its initial consideration of the draft Report on 24 July 2007.

These musicians teach, mentor, and tell about wide influences and a range of options that have helped grow their musical styles. Free expression, both chordal and harmonic, is more disciplined, yet allows for both the traditional spirituality nuances to flourish while seeking their modern identities, purpose, and place in this world. [See article and artist lists under Background]

Carol Martin loves jazz and enjoys getting to know the musician’s story, the how’s and why’s of developing this artistry. She writes these stories, not to critique or ‘review’ the artistry, but to highlight what drives or motivates the artist to do what she/he does in this type of South African music. Why THAT sound and where does it come from?
Some 180 articles, written over a 12 year period (2012-2025), posted mainly on the All Jazz Radio Internet Radio website Blog, contained her interviews and discussions with musicians about their journeys in improvisational jazz expression that represents the various ‘moods and styles’ they personally encounter and put forward. She has recorded what they would like to reveal, and has narrowed down this collection to 150 articles which tell their stories. [See more under Background]