Showing 14 results

Archival description
Sounds of the Cape
ZA UWC RA ZA UWC CM 2026-0005-ZA UWC CM 2026-0005-4 · 2012 - 2025
Part of Carol Martin

‘Cape Jazz’ is an important and unique musical style in South African music generally. Because of the high ethnic diversity of the peoples of the Western Cape, improvised music has crept into indigenous musical expressions, thereby offering an array of rhythms, themes, lyrical messages, styles and harmonies.
[See article & artist lists under Overview]

Carol Martin
Politics of Living
ZA UWC RA ZA UWC CM 2026-0005-ZA UWC CM 2026-0005-6 · 2012 - 2025
Part of Carol Martin

Themes that are prevalent in the local music industry often appear in the artists’ compositions: of sexist portrayal, male hierarchical attitudes, and even gender-based violence issues, economic exploitations, etc. [See article & artist lists under Overview]

Carol Martin
ZA UWC RA ZA UWC CM 2026-0005-ZA UWC CM 2026-0005-7 · 2012 - 2025
Part of Carol Martin

Notable South African and Pan-African/World influences are enabling more jazz collaboration to develop and highlight contemporary moods and styles from various sources. THEMES and THREADS emerge with South African styles guiding this journey into other sonic European and global rhythms, while finding a rootedness in African-ness of sounds and message. [See artist & article lists under Overview]

Carol Martin
Overview
ZA UWC RA ZA UWC CM 2026-0005-ZA UWC CM 2026-0005-1 · 2012 - 2025
Part of Carol Martin

Title page, foreword, introduction, themes, and artists

Carol Martin
Jazz in the Native Yards
ZA UWC RA ZA UWC CM 2026-0005-ZA UWC CM 2026-0005-5 · 2012 - 2025
Part of Carol Martin

Jazz in the Native Yards, a small Nonprofit Organisation established to provide spaces for jazz artists, traces its ancestral footprints to the 1960s when impromptu live jazz sessions took place every weekend in Cape Town’s townships and elsewhere. [See more under Overview]

Carol Martin
ZA UWC RA ZA UWC CM 2026-0005-ZA UWC CM 2026-0005-8 · 2012 - 2025
Part of Carol Martin

Formal and informal learning programs started to flourish with more trained music teachers in High Schools and at Tertiary levels, as well as at community levels where social development and mental health issues among youth called them towards arts training as a respite from the social ills they lived with daily. Initiatives like Youth Music Programs, and various Cultural and Music Festivals held throughout the year, often with their appending Conferences, all provided learning and mentorships. [See artist & article lists under Overview]

Carol Martin